Las añadas en el Marco de Jerez

Los Sobrinos
Required reading (in Spanish) from Ramiro Ibañez and Luis “Willy” Perez via the following link – lossobrinosdehaurie.com
These two guys need no introduction – they are two of the most exciting wine makers working in the region (or anywhere) today – and this is the first section of a work they have been preparing for some time .
The title, literally “Vintages in the Jerez area”,  is intriguing and suggestive of where I think the region needs to go (witness my cabinet reshuffle and views on vintage chic) and early on you get a flavour that the authors (both of them involved in making vintage wines as we speak) are of a mind when they remind us that “the last two centuries in which the dynamic [solera] system has predominated over the static, represent only 7% of the 3000 years of viticulture in the province of Cadiz”.
This first section certainly lays down a solid base. 52 pages of cracking documents, photos (including the above shot) and explanations setting out the early history of the area from the point of view of the winemaking and the wines:
  • The first chapter describes the wines and winemaking in the area “before the generalized storing of wine” (i.e., before it became customary to age the wines in origin, at the end of the 18th Century) including the introduction of biological ageing in Sanlucar, probably during the 18th Century;
  • The second chapter then covers the period 1788-1830/40, which it terms the “centralization of Jerez”, covering issues such as the increased use of palomino fino; and
  • The third chapter covers the period 1840-1870 (the “refinement of Jerez before the precipice”), including the birth of the classifications and symbols and the refinement of the solera process.
It is fascinating stuff that repays study.

Minerality, history, terroir, and winemaking: Angulo, Giron, Perez and Ibañez

I included a link to this exchange a couple of weeks ago as part of a general post on writings about Terroir and the wines of Jerez and Sanlucar but having had time to read it in full I really think it deserves a post to itself. (In fact it deserves to be widely read in full, but all I can do is encourage etc.).

The original post sets out a conversation reflecting on the probable causes of the minerality that many perceive in manzanillas between Fernando Angulo (of Champagne Sherry and Alba Viticultores) and Alvaro Giron Sierra (well known to readers of this blog and the source for the link).

The conversation was from 2010 but was posted in December 2013. In it, Fernando Angulo sets the ball rolling attributing the minerality of the manzanillas to the observable characteristics of the terroir (in both senses – land and bodega), the sea air and mineral soils, themselves the relic of the jurassic past, and their impact on the vine, the fruit and, even more importantly, the flor. In response, Alvaro Giron points out the lack of scientific evidence and the conventional theory that the perception of salinity is a result of the flor having consumed the glycerine from the wine, leaving the mineral element “naked” to the tastebuds, and warns against the difficulty of comparing given the use of palominos from jerez in the production of manzanilla.

What follows, however, is an absolutely enthralling below the line debate between the two authors, Willy Perez and Ramiro Ibañez which ranges far wider than the title suggests. The debate takes place over 5 days and 23 hours, and the exchanges are of a very high quality indeed – well reasoned and dense with facts and technical detail – and when you look at the times of the posts, you can see that the guys were consumed by it for a few days there (some of the posts are comfortably past midnight). There are 43 comments in total over 30+ pages and even if you look just at the more substantive entries there are no fewer than 21 – four by Fernando Angulo, eight by Alvaro Giron, five by Willy Perez and four by Ramiro Ibañez.

You quite literally get everything you could ask for, including (from memory and not necesarrily in order):

  • Descriptions of the chemistry and its effects on perceptions of flavour
  • Changes in the structure of the industry in Sanlucar through history
  • The former use of blends of fruit grown on albariza and clay (clay and sandy clay)
  • The tactile sensations produced by the wines
  • The topography and geology of the region, characteristics of different pagos, relevance of altitude
  • Impact of the disappearance of the “navazos”(the coastal gardens and meadows, not the winemakers who have taken that name)
  • Strains of palomino
  • The average ages of the vines
  • Fermentation in bota vs inox
  • Fermentation in lagares vs bodegas
  • Relevance of foliage and pruning
  • The historic relevance of and views regarding fortification
  • Willy Perez’s 16.3º mosto and unfortified fino
  • Relevance of the “aserpio”
  • The relative merits of terroir, fruit, solera and maker
  • Strains of flor and their effects on biological ageing
  • The impact of the acetaldehides for the flavour and aroma profiles of the wines
  • Comparisons with burgundy and other regions, particularly the great manzanillas of the 50s
  • Biodynamics
  • The harikiri of the progressive loss of genetic stock
  • The experience of the champagne region
  • The wisdom of el Bolli, el “Seneca de la viña”

It makes for a fascinating and entertaining read, largely due to the different perspective that each of the authors brings: Alvaro Giron’s knowledge of the region’s history and his inquisitive, scientific approach; Fernando Angulo’s interest in comparison with wines from regions worldwide; and Willy Perez and Ramiro Ibañez from the point of view of winemakers with a common enthusiasm but some intriguingly different perspectives.

For this reader, the absolute highlights are the posts by the winemakers: the technical knowledge and passion that shines in those posts is brilliant, and in their interventions you can see some of the thinking behind some of the most exciting projects going on in Jerez and Sanlucar today. (It is also frankly encouraging to see how much thought is involved.)

Really one of the best collections of thoughts I have read to date and one I can see myself re-reading many times.

Jerez and terroir by Jefford and others

Plano parcelario

A really nice piece by Andrew Jefford on the Decanter site in relation to this subject which is so very close to my heart, and especially, the “region’s youngsters” (including you know who, but also the guys at Alba).

In fact I thought this would be a good moment to compile some of the recent writings I have seen on this topic (by no means comprehensive I am sure, but if you want comprehensive this is not the blog for you).

In the meantime, two of the “region’s youngsters” have themselves started to write down the history of not just the terroir but also the vintages. Part I of their book (in Spanish) is required reading.

But the interest in this subject is not at all recent and within minutes of posting the above list I have been given the following reading assignments (thanks again Alvaro):

  • ¿Terruño en Jerez?  by Alvaro Giron Sierra in Elmundovino in February 2009 and the ensuing debate
  • Terruño Jerezano, Testaruda Realidad by Jesus Barquin, again in Elmundovino (and apparently just one of many contributions through the years on said essential website), in August 2009
  • Terroir in two senses and none by Jesus Barquin (although the article doesn’t seem to be available – if anyone does have a lead on it let me know)
  • This piece The notion of Terroir and noble wines on the Jerez-Xeres-Sherry blog summarizes and translates the contribution of Victor de la Serna in a symposium before the AIV in June 2012
  • Brooklynwineguy made a nice post about a dinner organized by the great Peter Liem back in July 2012
  • And a cracking post and ensuing debate in 2013 Salinidad en las Manzanillas by Giron, Angulo and Perez – will report back next week when I have finished reading it!

Most importantly though, this message is clearly getting across – anecdotally one of the Sherry Women was telling me about a fantastic tasting of sherries lead by Juanjo Asencho focussing on terroirs late last year – and let us hope that the trend continues.

A manifesto in favour of Spain’s unique vineyards 

Spanishwinelover.com really do an excellent job and their coverage of the aforementioned manifesto is no exception. I think the manifesto is an incredibly important, and positive, development and I could not agree more with the aims expressed (you can see some of my own musings on uniqueness in jerez here and here).

Given its importance I take the liberty of reproducing the translation of the manifesto itself below but I recommend you look at the Spanishwinelover post to see the background, signatories and other details.

Spain boasts the richest biodiversity and the most varied landscapes in Europe but it also faces the greatest challenges in terms of environmental awareness and conservation. The world of wine is no exception.

The Spanish wine appellation system has proved effective in protecting geographical names and origin, but it has been oblivious to soil differentiation and levels of quality. Efforts have been aimed at turning our vineyards into the world’s biggest, not the best.

However, we have the history, the places and also the passion needed to make the most out of our exceptional crus and vineyards.

Deep changes are needed to boost our wine heritage and bring a sense of self-worth onto Spanish wine. It must be a global change for everyone involved, from producers to the authorities.

All the great wines in the world come from exceptional vineyards. That’s why the most revered wine regions have passed laws to defend and protect those unique sites.

We firmly believe that the best way to identify wines based on their origin, quality, identity and authenticity is by means of a pyramid-like structure. Wines made anywhere in the region would be at the base; village wines would be a step above while single-vineyard wines would be at the very top.

All producers will benefit from such a structure. Only by raising the bar and demanding ourselves more, will we be able to improve quality and explain Spain’s wine reality more accurately. It will also help to sell all kinds of wine better.

Therefore, we call upon the Regulatory Boards to be sensitive to the new wine reality that is emerging all over Spain and to approach a classification of the land in terms of quality. We are certain that establishing such distinctions is the first step towards excellence. Beyond emerging as an unstoppable trend, terroir wines are the best way to improve the quality of Spanish wines and achieve international recognition.

I really have never understood the resistance to going down this kind of path – surely the “volume” producers also benefit from the increased profile of their regions? In any event, bravo to all involved, I wish them good luck and I truly hope something can be done.

Jesus Barquin: Fortification vs asoleo

Wanted to make sure I posted the link to this cracking piece by Jesus Barquin on elmundovino.

In it he analyzes the reason why finos and manzanillas in Jerez and Sanlucar are generally fortified to 15%, describes the alternative methods of getting to that level, and in particular asoleo (leaving the grapes in the sun as is common in Montilla Moriles) and explains his view that modest fortification is preferable to asoleo in terms of preserving the fine character and qualities of finos and, by allowing fruit to be harvested at the perfect ripeness, the expression of terroir.

To say it has kicked off a debate is an understatement, the author has some choice words for many in the twittersphere but it is fair to say there is disagreement even between the real experts in the sector.

My own thoughts? The suggestion that the best way of allowing the wines of Jerez and Sanlucar to express terroir is by adding alcohol is counterintuitive to say the least. Nevertheless, to be honest I think I am a Barquinista, at least until proved otherwise.

  • First, there is no question at all that mostos express terroir and fruit characteristics. I refer here to the Pitijopos and numerous other examples. No doubt.
  • Neither do I have any doubt that finos and manzanillas express terroir and fruit characteristics. The biological process makes dramatic changes to the wine, but there is no mistaking the features and character of the underlying mosto (when visiting any bodega I would always recommend tasting the mosto whenever possible).
  • From my own limited experience he is also dead right to say that the pedro ximenez dry sherries from Montilla Moriles have a chunkier, woollier structure than their counterparts further South and tend, in my experience, to be just slightly less expressive. We are talking fine margins here, these are excellent wines but I feel they just don’t develop the same range of flavours. (Now is that a product of the asoleo or the different fruit involved? I am not expert enough to know.)
  • As for the effect of adding alcohol, I have been looking back through my notes and I have only found a handful of instances where I found the alcohol became noticeable – and generally in olorosos or palos: almost never in a fino or manzanilla of any quality.

In summary, my view would be that the fortified finos have a fine, expressive quality that is just slightly out of the reach of their cousins in Montilla Moriles, that the characteristics being expressed reflect, at least in part, terroir, and that the fortification with alcohol does not seem to interfere with the profile of the wines.

On the other hand, I am very thankful that I don’t have to make these wines because the more I learn about them the more I realize how little I know. As Jesus Barquin points out, we will soon have a chance to find out if he is right, since certain small producers (frequent readers of this blog can probably guess who) are exploring asoleo in Jerez and Sanlucar at this very moment.

In the meantime, it is fascinating stuff to follow (I am technically incapable of linking to the twitter discussion but if you look on @undertheflor you will find a couple of interesting retweets allowing you to follow streams up or down).

Sherry and even further beyond

Back in September I wrote a post in relation to a controversial tasting by elmundovino in which I wondered whether they had been unlucky with some of the bottles they had tasted.

As it turns out, according to a second tasting  published more recently it seems they did indeed, at least in relation to some of the wines of Primitivo Collantes, which I have been tasting recently: the slightly different panel explain that those bottles had been “cooked” on their travels to Madrid in the summer heat and in the new tasting (which is in general rather more upbeat), Fossi and the Arroyuelo Fino en Rama get bumped up from “ok wine” to “good wine”.

To my mind there are still some questions about the September tasting – I would rate those too another notch up and, in particular, the tasting of the Maruja manzanilla pasada seems to me to be out of whack. Nevertheless, for now at least some justice has been done. More generally, it is great to see some new wine names in this new tasting. I am particularly keen to get my hands on some of the Barajela wines by Willy Perez so if anyone sees any around Madrid please give me a shout.

Blind tastings and the many wonders of the sherry triangle

I have written elsewhere on this blog about the excellent Spanish website elmundovino as a great place to find high quality wine writing. In particular I find its historic archive of blind tastings an excellent resource. This week, though, their tasting of sherry wines (Jerez y mas allá – in english, “Jerez and beyond”) was a touch controversial.

For what it is worth, I didn’t agree with the assessment and scoring of several of the wines in the tasting, and I was surprised in particular by some of the tasting notes since they didn’t correspond to my own experiences and recollections (I had to go back and read my own to make sure). More importantly, some actual real experts took to twitter to express their difference of opinion, giving rise to a lively correspondence, some frank exchanges of views and some interesting philosophical contemplation (my favourite contribution was this great post by the guys at enoarquia).

More heat than light was shed overall. Understandably, there was quite a bit of steam being let off. However, some good points were made that set my sluggish neurons into a slow shuffle towards what I euphemistically describe as “thoughts”.

One issue that came up for debate was the old chestnut of blind tasting vs, non-blind tasting (fully sighted tasting? labels out? not sure what the term is). On this I think most agree that blind tasting is preferable, but I think it is also widely accepted that when wines are very different in character it is necessary to have at least some kind of sorting so that an opinion can be formed in context. This seems especially important point for the wines of the sherry triangle, which produces a greater variety of styles than any other region I can think of.

In fact the controversial tasting this week pushed the envelope even by these standards: there were wines of every kind including fortified and unfortified, red and white, still and sparkling and among the fortified wines manzanillas, manzanilla pasadas, fino, amontillado fino, cream and moscatel. I am not suggesting that the panel weren’t able to distinguish them, and I am certain that every care was taken in relation to the order of tasting, but I can’t believe that such a mixed bag provides the best context in which to evaluate a given type of wine. I myself have found that some excellent wines come across very differently in different formats, with some wines (in particular Equipo Navazos’ superb little palo cortados, for example) doing way better in “catas” when tasted against their similar peers.

Another issue that came up is the issue of the “unfortunate bottle”: the concern that in a blind tasting, the taster may not realize that the bottle he or she has tasted is not in condition since they do not know what to expect. Again, I think this can be a critical issue for sherry wines, and in particular in the case of some of the unfiltered or lightly filtered wines that featured in the tasting (I hesitate to use the word “natural” wines, but these are the product of miraculous biological processes that to my ignorant mind simply must be more fragile than your standard grape juice). Simply put, sherry wines are not as other wines and even at the very high end, some bottles come out better than others: I recently had a bottle of La Panesa that was notably more alive and exciting than most I have had. (Of course that could be a result of the saca, but an interesting blog piece by criadera highlighted the enormous differences in evolution of several bottles of an identical wine.)

Finally, and on the tasting notes I always remember a gem of a quote in a post by Jamie Goode on Wineanorak.com – “‘Writing about music is like dancing about architecture” – which I think very neatly sums up the issue. When we look at the case in point, that difficulty is made worse, once again, by the sheer variety of styles in the tasting. To extend the analogy, writing punchy little tasting notes for such a variety of wines must be like discussing different styles of architecture, engineering and geography using only tap shoes.

All in all, I believe the panel gave themselves an impossible task here and as a result got some scores and notes wrong. I for one hope that these wines get another chance – tasted blind by all means, but against comparable wines.

Dialogo Jerezano (a Jerez conversation)

Wanted to preserve on this blog this excellent post by Pedro Ballesteros MW over on the Vila Viniteca blog – which is btw a great place to find great wine writing.

It is in Spanish and any summary I could do would not do it justice. To give you an idea, though, it is an imagined conversation between two friends in Jerez in a golden future 30 or more years from now, recounting (more in sorrow than in anger) the errors of the 20th Century and how sherry was saved from itself by the reintroduction of vintages, single vinyards, unfortified wines (amongst others). It combines history telling and analysis and nicely captures the optimistic mood and buzz that is around at the moment due to exciting new wines and projects (like the encrucijado I tried last week).  Will be interesting to see if he is right (I hope he is)!

Alvaro Giron Sierra: A probable history of the dry wines of Jerez – from chance to necessity

This blog post by Alvaro Giron Sierra on the Vila Viniteca blog is probably the most interesting that I have ever read in relation to the wines of Jerez. It is a real piece of scholarship, littered with contemporary evidence and even historic photographs, is mercifully free from the blarney and anecdote that plagues most writing about Jerez, offers some superb insights about the history of the wines and wine making in the region and finishes with a shrewd suggestion of what must be the way forward for the future.

The central theme is that it is a great error to project onto the past: the wines made in Jerez were not, in the past, the wines we know today. He makes a great counterpoint with the most fashionable debate in modern times – about whether palo cortados are “made” or “born” (“se hace o se nace”). As the author points out, in fact for most of history almost all wines in Jerez were “born”: it is only in recent times that wine makers in Jerez have had the knowledge and technology needed to “predictively” make the wines they intended, rather than reacting to and managing the evolution of wines that refused to be governed. (This is in fact something I find fascinating in relation to a lot of wine regions that have been famous for centuries: the evolution or even the wholesale revolution in the wines made there.)

There are some superb insights in the piece: the historic existence of numerous grape varieties with different strengths and characters; the huge variations in the wines fermented in “botas” and the massive resulting wine-making possibilities; the importance of the solera as a means of averaging not just vertically but horizontally; the ignorance until relatively recently of the crucial importance of the flor; and maybe most importantly for the future, the differences in quality attributable to the soil and demonstrated by single vineyard wines. There are many more, but I don’t intend to repeat them all – you should really read the piece itself.

It is a fascinating read and the conclusions the author makes sound absolutely right to me. A single grape, the solera process, a rudimentary classification and scant attention to terroir may have been an excellent way of making a very good wine sold by the barrel in the 19th Century, but Jerez today needs to seek to make possible the unique, outstanding wines being produced in other wine making regions. It is revolutionary – superficially a call to care less for tradition and more for the pursuit of excellence – but on closer examination it is a call to respect the traditions that made singular wines possible in the pre-industrial age, to cast off the limitations assumed and look again at all the possibilities.

The revolution may have already begun: the author himself is at the forefront of a project – Equipo Navazos – that is arguably leading the charge, having evolved from pickers of forgotten, prize botas to makers of interesting, singular wines, but they are far from being alone. Excellent, singular wines are being made and all we can do is seek them out, ask for them, buy them, try them and, if we like them, praise them. I fully intend to do my part at least.