UBE Carrascal 2015 – in Taberna Palo Cortado

This was the original UBE and still my favourite overall. From Carrascal de Sanlucar, the freshest and most vertical of the great pagos in el marco, but from old vines and a low yielding vineyard that produces wines of relative potency and concentration.

It is of course 100% palomino (although with Ramiro other options are available), from three different clones – palomino fino, palomino de jerez and palomino pelusón (which intriguingly translates as big hairy palomino). It is fermented in bota and then spends another 20 months there, without flor, after which this one has been another three and a half years in the bottle.

That period in the bottle has really brought it on – as I so often find with palomino white wines – and the result is a highly enjoyable, fresh but flavourful white wine.

As you can see, it has taken on a very attractive old gold colour, clearly darker in shade than I remember it, and it has a very distinctive nose, chalky interlaced with lemon but with a hint of stewy herbs in the background. In fact those herbs come through more and more as the wine opens up. Really interesting balance of mineral, fruit and savoury. Then on the palate more of the same, the effect of the chalk, the fresh start and a nice, generous mouthful of citrus and herbal fruit before slipping away in a long fresh finish.

Plenty to enjoy here, a really excellent wine, and that savoury character makes it a great wine for one of the cheeky lunches I have missed so much …

Barajuela class of 2013

I discovered during the lockdown that I had managed to squirrel away quite a few bottles of la Barajuela and ever since had been looking for an occasion to crack some open, so when I was invited over to dinner by some friends recently I seized my opportunity.

I am pretty sure I will be invited back, and it isn’t due to the conversation.

These two wines are by now like old friends but I still remember the first time I sat down with a full bottle of the fino – Father’s day 2016. Together with that first palo cortado that set me off in the first place this is the wine that made the strongest first impression on me.

Since then there have been another saca of the fino and two new vintages and more recently an NV and I have had more than my share of all of them – it is no secret that I like them and wherever I go they seem to follow me.

But I will never tire of them either – really outstanding white wines, that simultaneously have a higher and a lower register than most, more body, more complexity, more salinity and all in a beautiful profile. Just beautiful and great to drink them together, that step in power and that hint of oxidation in the oloroso seeming to add an extra dimension.

And I never tire of sharing them with friends. These wines are such great ambassadors for Jerez and the best possible argument in favour of terroir and vintage focussed winemaking in the region.

But not too many friends – the bottles are tiny and only hold 750 mil.

Agostado 2016

The artistry formerly known as Encrucijado.

A clash in trading names means a change of moniker for this historic wine and it is a real shame. Historic because it is made using varieties that had long fallen out of favour, and because it was one of the first “new wines” from el marco. It was certainly the first that I tried, what seems a long time ago now in September 2015. That was the 2012 – the MMXII – and this is the 2016.

Over the years the wine has wound its neck in a bit. Back then there were five or six varieties involved, as the idea was to try and replicate the almost random selection of the pre-phylloxeric vineyards. But it was never meant to be an experiment, it was meant to be a wine, and as a wine it has grown and grown in stature even as the varieties dwindled. Now it has just three varieties: palomino fino, uva rey and perruno. (Still two more than your average blanco de albariza.)

From the start it was a lovely wine, but it just seems to get better and this strikes me as good as any that I have tried. It has that bit of extra girth of flavour, more buttery, more melon, but this one also has a lovely elegant profile and fresh finish. And from memory it seems to have improved a lot with a year in the bottle too.

One worth hunting out and savouring – the history of the wines and varieties of Jerez, and a lovely wine while you are at it.

Vendimia 2017 de Faustino Gonzalez

So here is a new addition to the growing variety of “blanco de albariza” on offer from the small producer behind the Cruz Vieja fino and others.

These guys have some serious real estate – the fino shares its roots with some of the great wines of Jerez’s past, so I was interested to try this in Taberna Verdejo recently.

As you can see, it is a beautiful old gold colour, crystal clear (apologies for the condensation), then a nose and palate of beefy herbs and grapey fruit. On the palate there is that tingle of salinity up front, those flavours and then a finish that is part jammy, part mineral and part fresh.

A cracking tipple – albariza in glass.

Socaire 2017

One of the fine wines of an exciting new era. Chateau Matalian Grand Cru, a lovely white-fruit flavoured white wine

And when I say flavour I really mean it because when you become accustomed to the range of flavours in these white wines from Andalucia you miss half of the graph when you step outside the bubble. Not just the salinity but stewy, vegetable and herb flavours.

This, as you can see, is the 2017 – these latest vintages have the year on the label as our man Primitivo chips away at the wall of resistance that is the Consejo Regulador with two powerful arguments: quality and sales.

This wine is an argument in itself. Not as ferocious as the first vintage I tried and maybe not as spicey as last year’s, this is ripe and elegant and frankly excellent. In fact to me this wine shows just how the Socaire wines have matured: no longer a curiosity or an experiment in a sherry barrel, but a high quality white wine in its own right.

I love it and I strongly recommend that you find some, buy it and enjoy it, or if you prefer, keep it a few years – it will almost certainly improve (for some reason the bottles in my cellar keep disappearing).

Callejuela Manzanillas de Añada 2015 – all three

In current circumstances if you are after a hat trick you could do worse than come to undertheflor.com – a fella is fair punishing the bottlebank lately. And never in a better cause than here, with these three single vineyard (Callejuela, Añina and Macharnudo, respectively) and single vintage manzanillas by two of the bright lights of the “Cherrirevolooshun”: the Blanco Brothers of Viña Callejuela.

And I don’t say that lightly – the half dozen occasional readers of this blog may have observed seen the name Callejuela associated with the very first single vintage manzanilla that hoved into view, the now legendary 2012. That one was from the Callejuela vineyard itself but a seed was planted. It was followed by the manzanilla en rama from the same vineyard – a bigger boned cracker – and then by the single vineyard wines from Callejuela, Añina and Macharnudo – also three little beauties.

But these are probably the best of the lot so far. Zippy manzanillas – and there is no doubting their profile wherever the grapes come from – with the added elegance of single vintage wines and just enough fruit still in them to lift them above your standard manzanilla profile.

They were harvested in 2015 and bottled in May, 2019, which would put them in the ballpark of Volume II of the 2012 manzanilla in terms of development in bota, but in addition they have the added dimension of the different vineyards.

Because they couldn’t be more different. Since I have been working on these three bottles I have changed my mind half a dozen times as to which is my favourite – although almost certainly between the Callejuela and the Añina.

Callejuela is Sanlúcar of course and is stylistically the most familiar manzanilla – but this version is just about as good as it gets -zingy, concentrated chamomile. Añina is a Jerez pago, but one of the favoured pagos of the manzanilla men, and while it doesn’t seem as compact as the Callejuela it is more floral and has that little bit of hazelnut deliciousness. The Macharnudo was my favourite of the white wines and there is no doubt it has a bit of beast about it, with a really piercing aroma and zingy back end – but maybe doesn’t quite hold up in the middle like the other two.

So Callejuela it is, or maybe Añina. Frankly, you should get all three because the only thing wrong with them is that the bottle is too small.

Ube Carrascal 2015

I only have two bottles of this (vintage) left but couldn’t resist it.

I don’t know what it is about Ube but every time I have a bottle another one soon follows, and after that, well, one thing generally leads to another.

It is a class old vine palomino from a typically vertical, Atlantic Sanlucar, and this one from a warm year has a touch more fruit heft to balance the savoury, stewy herbs.

Superb – really world class white wine.

Ube Carrascal 2015

We are all locked in, but I don’t have anywhere better to go. This is an exceptional, world class white wine.

It shows all the qualities of its variety, time and place. The white fruit and herbs of the best palominos, the concentration of an (even) hotter season and the salinity and verticality of its birthplace in Carrascal de Sanlucar.

That combination of concentrated fruit, herbs, salinity and freshness make for an incredibly complex white wine, which was perfect with dinner but is even better on its own.

Uberrima indeed. Superb.

Manzanilla de Añada 2012 Callejuela, 5/11

The 2012 manzanilla de añada was one of the very first wines to really open my eyes to what is possible down in Jerez and Sanlucar. 11 botas set aside from a single vineyard and añada, left to age statically under flor (as long as it lasts).

The wines are a vivid expression of the effects of static biological and barrel ageing on a manzanilla. The first was a protomanzanilla, more wine than manzanilla, but since then the wines have become finer, with a deeper mineral groove. Over time the flor is losing its vigour, the cabezuelas are beginning to gather, and the wines are becoming richer and fatter. In time future releases will begin to lose that veil and will take on the toasted rust of amontillados. By then the wines will also be a vivid expression of the effects of bottle ageing (at least the ones I have managed to stash away will be).

For the time being this latest chip off the historic block is a beast of a full flavoured manzanilla. Lovely dark hay colour, a lot of haybales about and a big spikey, zingy mouthful, with bakery favours of toasted almonds and roast apple in there before a long old finish.

Cracking manzanilla in its own terms but part of something that is so much bigger. If all history tasted as good as this we would be repeating it more than twice.

La Escribana Vino de Pasto 2018 in Angelita Madrid

Your correspondent has been out of the game too long. Probably a good few weeks since I was at the trough in earnest – time enough for at least three new labels to emerge from the hyperactive young dynamos down in Jerez and Sanlucar.

And here is one. The latest from Willy Perez, this appears to be an unfortified white wine – the label says from Macharnudo on tosca de Barajuelas soil. “Only” 13 and a half degrees and I don’t know much about it but would guess we have a bit of asoleo or a relatively late harvest. (Vino de pasto translates more or less as table wine so no clues there.)

It is another cracker from the young Wise King of Jerez. Concentrated white fruit – almost pineapple upfront, and bitter pineapple marmalade at the back. It is mineral for a white wine – real zing and warmth around the mouth – but tasty and jammy rather than fresh and slippy on the finish. As its name indicates, it is a table wine – this would stand up and be counted in almost any company.

Another one please barman!