I am a big fan of this wine and it is one of the great values available – really very cheap indeed for what it is, and very hard to resist when you come across a bottle.
It is a dark dark colour here and looks for all the world like one of these very concentrated olorosos but the nose doesn’t give you wood and leather but toffee, nuts burnt caramel and mineral smokiness. Then on the palate it is fatty and full bodied, even maybe to the point of being a little heavy, and it is full of flavour, with a nice acidic attack, nice caramel to burnt caramel flavours and a spicey and racey finish. Not too bitter and astringent, in fact quite a sticky sweet finish.
Hedonistic wine, even if the bottle is rather small.
I have written many times about the Fossi – a lovely amontillado fino that is one of the most underrated wines around – but here we have a very special edition. This is a magnum drawn from a solera of three “Botas No”: botas that have been set aside for years, without sacas, and only refreshed to replace the angels’ share. (I am not sure how many of these magnums were produced but probably not many – I tried this at the bar of Territorio Era.)
The first thing I notice about the wine is the colour – to me it is a shade more amber/straw coloured, and less caramel-hued than the standard Fossi. On the nose it is punchy and on the palate too it strikes me as more of a missile – sharp and direct, more concentrated acidity and salinity, slightly less juice and caramel flavour. Very fine and elegant, a nice structure and profile.
A more serious version of the standard but I could still drink bucketloads.
Although slightly out of order, after yesterday’s terrific lunch in Lua and after looking back at the archive this morning I couldn’t resist writing up my note of this top, top wine. (Not that the notes were much good. Yesterday’s lunch was one of those occasions when the conversation flowed even more emphatically than the wines, and between gulps and mouthfuls we touched on everything from geography, climate, soil types and harvest to branding and positioning, often in the same sentence. Frankly, I had better things to do than take notes.)
So it was confirmed that this is the unshaven version of the Fino Capataz of back in the day – by which I mean it is unfiltered and unclarified (although I remember the original as being pretty dark in hue in any event), and with a total of around 10-12 years of biological ageing.
On the nose this bottle has clear oxidative notes – from whence the nutty nose that I have always associated this wine I suppose – in fact almost fruity but with haybales too, like old apples packed in straw. Aftter the sweet and inviting nose it it impressively dry and punchy on the palate, a really concentrated sapidity and intense flavours, which start solid, then give way to nuts and then minerals, with a bit of a saline sting to the tail.
A really top fino. In fact a top wine in general.
Had another little bottle from late 2015 lately that I really enjoyed so when this appeared from the back of the fridge its days were numbered.
A very likeable fino this with a nice dark straw colour, a really aromatic, haybale to almost ammonia nose, a pungent palate with a mouth watering start, apple to baked apple flavour and a stinging saline finish.
Lunch in Territorio Era and the chance to try yet another new wine from el Marco. This time, “La Bien Pagá”, a manzanilla pasada en rama from a single bota selected by the splendidly monikered “Hijos de la Albariza” (sons of the Albariza, a group made up of Juan Echanove, Pedro Hernandez and Xavi Saludes, founder of Vinoteca Tierra) from the solera of Goya XL at Delgado Zuleta (and named, I assume, for a classic song by copla legend Miguel de Molina).
Nice dark straw colour to it with just a hint of green maybe, and a subtle nose: not big haybales or roast almonds but aromas of sear air and the eponymous chamomile tea (manzanilla in Spanish), just a suggestion of sweetness. Then elegantly punchy on the palate – nice sharp, integrated salinity first up, then yeasty flavour with again a herbal tea-like sweetness, not quite the false fruit of some manzanilla pasada but not dry. That slight sweetness also hangs around into the finish, which isn’t excessively long but is fresh and pleasant.
A subtle, elegant and enjoyable manzanilla pasada. Not many bottles of this one around (I say that far too often) and worth looking for.
UBE (de Uberrima) is the white wine brand of Ramiro Ibañez’s Cota 45 and he now boasts not one but two wines, shortly to be three.
The first wine is now known as the Carrascal – after the pago in Sanlucar from whence it comes. It is wine from a specific vineyard of old vines and three kinds of palomino. This second wine is from neighbouring Miraflores, like Carrascal an atlantic pago (and probably the most famous of the Sanlucar pagos) and specifically from a combination of five selected vines in Miraflores Alto and Miraflores Bajo. (The third wine, due to be released in September, and is from palomino grown on Pago Mahina, a river influence pago with a huge concentration of diatoms.)
What they have in common, and this is no surprise coming from the creator of the Pitijopos and the manzanilla de añada, amongst others, is their focus on expressing vintage and terroir. Unfortunately they also have in common the fact that production is tiny: 1,000 bottles of each of the Carrascal and Mahina, 3,000 of this Miraflores.
The wine itself starts off as austere with minerals and then grows with herbal, vegetable characteristics. As you can see it is a pale, slightly greenish straw in colour. The nose is austere and mineral first with some savoury stewy herbs in the background like a kitchen far away. On the palate it is fine in texture, nice acidity first up and after that fresh start rather than fruit there is a herbal, almost meaty (in flavour) sapidity to it, fading to a fine finish with lots of minerals.
By comparison to the Carrascal 2015 (a different vintage and pago and a year longer in the barrel) it maybe has a touch less mineral edge, but even so it is a serious, mineral wine and no shortage of flavour.
The third vintage (at least that I have tried) of this imperious white wine from Sanlucar. (You can see my notes from the 2013 here and here and the 2014 here, here and here.) It comes from some very special vines and vineyards in Carrascal (Sanlucar) and although it is simple enough to explain (it is an unfortified white wine) it is nevertheless one of the more challenging wines you will come across. It is made by Ramiro Ibañez’s Cota 45 and a total of 1,000 bottles were made.
These are elegant, mineral wines, and I associate them with aromas and flavours of citrus and mountain herbs. By comparison to previous years, the 2015 has a greater concentration of citrus fruit, surprising acidity and a nice buzz first up – a chalky tingle on the gums and tongue. Then the flavours grow in intensity and are herbal and savoury. The citrus flavours persist and turn slightly bitter like gooseberries.
As I was drinking this – minding my own business at the bar of Territorio Era, a passing genius chose to come and explain to me that there was no point drinking palomino, that it lacked expression and was only good as solera fodder. I just smiled and looked around for the hidden camera. I have said it before, if there is any argument about palomino and expression, UBE is the answer.