So here is a new addition to the growing variety of “blanco de albariza” on offer from the small producer behind the Cruz Vieja fino and others.
These guys have some serious real estate – the fino shares its roots with some of the great wines of Jerez’s past, so I was interested to try this in Taberna Verdejo recently.
As you can see, it is a beautiful old gold colour, crystal clear (apologies for the condensation), then a nose and palate of beefy herbs and grapey fruit. On the palate there is that tingle of salinity up front, those flavours and then a finish that is part jammy, part mineral and part fresh.
One of the fine wines of an exciting new era. Chateau Matalian Grand Cru, a lovely white-fruit flavoured white wine
And when I say flavour I really mean it because when you become accustomed to the range of flavours in these white wines from Andalucia you miss half of the graph when you step outside the bubble. Not just the salinity but stewy, vegetable and herb flavours.
This, as you can see, is the 2017 – these latest vintages have the year on the label as our man Primitivo chips away at the wall of resistance that is the Consejo Regulador with two powerful arguments: quality and sales.
This wine is an argument in itself. Not as ferocious as the first vintage I tried and maybe not as spicey as last year’s, this is ripe and elegant and frankly excellent. In fact to me this wine shows just how the Socaire wines have matured: no longer a curiosity or an experiment in a sherry barrel, but a high quality white wine in its own right.
I love it and I strongly recommend that you find some, buy it and enjoy it, or if you prefer, keep it a few years – it will almost certainly improve (for some reason the bottles in my cellar keep disappearing).
In current circumstances if you are after a hat trick you could do worse than come to undertheflor.com – a fella is fair punishing the bottlebank lately. And never in a better cause than here, with these three single vineyard (Callejuela, Añina and Macharnudo, respectively) and single vintage manzanillas by two of the bright lights of the “Cherrirevolooshun”: the Blanco Brothers of Viña Callejuela.
And I don’t say that lightly – the half dozen occasional readers of this blog may have observed seen the name Callejuela associated with the very first single vintage manzanilla that hoved into view, the now legendary 2012. That one was from the Callejuela vineyard itself but a seed was planted. It was followed by the manzanilla en rama from the same vineyard – a bigger boned cracker – and then by the single vineyard wines from Callejuela, Añina and Macharnudo – also three little beauties.
But these are probably the best of the lot so far. Zippy manzanillas – and there is no doubting their profile wherever the grapes come from – with the added elegance of single vintage wines and just enough fruit still in them to lift them above your standard manzanilla profile.
They were harvested in 2015 and bottled in May, 2019, which would put them in the ballpark of Volume II of the 2012 manzanilla in terms of development in bota, but in addition they have the added dimension of the different vineyards.
Because they couldn’t be more different. Since I have been working on these three bottles I have changed my mind half a dozen times as to which is my favourite – although almost certainly between the Callejuela and the Añina.
Callejuela is Sanlúcar of course and is stylistically the most familiar manzanilla – but this version is just about as good as it gets -zingy, concentrated chamomile. Añina is a Jerez pago, but one of the favoured pagos of the manzanilla men, and while it doesn’t seem as compact as the Callejuela it is more floral and has that little bit of hazelnut deliciousness. The Macharnudo was my favourite of the white wines and there is no doubt it has a bit of beast about it, with a really piercing aroma and zingy back end – but maybe doesn’t quite hold up in the middle like the other two.
So Callejuela it is, or maybe Añina. Frankly, you should get all three because the only thing wrong with them is that the bottle is too small.
We are all locked in, but I don’t have anywhere better to go. This is an exceptional, world class white wine.
It shows all the qualities of its variety, time and place. The white fruit and herbs of the best palominos, the concentration of an (even) hotter season and the salinity and verticality of its birthplace in Carrascal de Sanlucar.
That combination of concentrated fruit, herbs, salinity and freshness make for an incredibly complex white wine, which was perfect with dinner but is even better on its own.
The 2012 manzanilla de añada was one of the very first wines to really open my eyes to what is possible down in Jerez and Sanlucar. 11 botas set aside from a single vineyard and añada, left to age statically under flor (as long as it lasts).
The wines are a vivid expression of the effects of static biological and barrel ageing on a manzanilla. The first was a protomanzanilla, more wine than manzanilla, but since then the wines have become finer, with a deeper mineral groove. Over time the flor is losing its vigour, the cabezuelas are beginning to gather, and the wines are becoming richer and fatter. In time future releases will begin to lose that veil and will take on the toasted rust of amontillados. By then the wines will also be a vivid expression of the effects of bottle ageing (at least the ones I have managed to stash away will be).
For the time being this latest chip off the historic block is a beast of a full flavoured manzanilla. Lovely dark hay colour, a lot of haybales about and a big spikey, zingy mouthful, with bakery favours of toasted almonds and roast apple in there before a long old finish.
Cracking manzanilla in its own terms but part of something that is so much bigger. If all history tasted as good as this we would be repeating it more than twice.
Your correspondent has been out of the game too long. Probably a good few weeks since I was at the trough in earnest – time enough for at least three new labels to emerge from the hyperactive young dynamos down in Jerez and Sanlucar.
And here is one. The latest from Willy Perez, this appears to be an unfortified white wine – the label says from Macharnudo on tosca de Barajuelas soil. “Only” 13 and a half degrees and I don’t know much about it but would guess we have a bit of asoleo or a relatively late harvest. (Vino de pasto translates more or less as table wine so no clues there.)
It is another cracker from the young Wise King of Jerez. Concentrated white fruit – almost pineapple upfront, and bitter pineapple marmalade at the back. It is mineral for a white wine – real zing and warmth around the mouth – but tasty and jammy rather than fresh and slippy on the finish. As its name indicates, it is a table wine – this would stand up and be counted in almost any company.
Apricots on the nose, bright acidity and a palate of pure apricot jam with a rich, sugary finish.
Pandorga, by Cota 45, is a single vineyard, vintage 100% pedro ximenez from Jerez that is unlike most pedro ximenez you may have tasted. Young and fresh, the grapes have had some sun-drying but not to the point of becoming raisins and the resulting wine is more opulent in fruit on the one hand and (slightly) less loaded with sugar on the other.
And like many of the wines from Cota 45 there is some fascinating wine making going on beneath the surface. Whereas many pedro ximenez wines are made in a way that minimizes the difference between vintages (more sun-drying in cooler vintages, less in warm ones), this wine is prepared in a “procyclical” way. As such, the relatively cool 2014 was given less sub drying, the much warmer 2015 much more, and this something in between. As a result you get three very different wines: just as an indication the 2014 had 12 degrees of alcohol, the 2015 had so little -5% – it couldn’t legally be called a wine, and this one has 11,5%.
Wines that express the varietal and shout out the vintage. And superb wines too!
One of the great Cadiz wines, this, a palomino with a touch of class about it, with as much silk as steel and as much flavour as aromatics. Coming back to it once again after a while without (probably last seen at Easter) what strikes me is how balanced it is – how the fruit, bota effects and saline sizzle combine so nicely that you can hardly make out the gaps. A top class wine, no question.
It has been a very intense time at work in recent weeks and the first casualties of the tight deadlines are the restaurants that are farthest from the office. As a result I haven’t been to Zalamero nearly as much as I would like. Good food, good wine, good people, nice hatstand, it is one of my very favourite spots.
So it was a double pleasure to get there for a Sunday supper a couple of weekends ago with my esteemed colleague Ruben of SherryNotes (and WhiskyNotes). We had a really cracking dinner, featuring really excellent roast chicken croquettes, mackerel, squid and lamb chops. And we had a really cracking wine too.
La Fleur is a 100% palomino from the folks (Rocio and Alejandro) at Forlong – a young couple of proper winemakers that make a full range of subtly different palominos (and the occasional interloper), all of them class wines and all of them showing off the many qualities of this tragically overlooked grape.
La Fleur is a case in point – has just a touch of flor, and maybe as a result seems a little more floral and sweeter on the nose than many palominos – in some ways bringing it closer to the wines from Jura. Like any palomino it is fresh and juicy on the palate, but again the fruits you find there are more exotic than you might expect – I really associate this wine with sweet apple pies and pastries, and those aromas were still there in this bottle, but over time notes of pineapple came through. And then the back end has plenty of oomph, with a saline finish – a kind of reverse mullet that is party at the front and business at the back.
A lovely wine and perfect for a lovely dinner and occasion.