A manifesto in favour of Spain’s unique vineyards 

Spanishwinelover.com really do an excellent job and their coverage of the aforementioned manifesto is no exception. I think the manifesto is an incredibly important, and positive, development and I could not agree more with the aims expressed (you can see some of my own musings on uniqueness in jerez here and here).

Given its importance I take the liberty of reproducing the translation of the manifesto itself below but I recommend you look at the Spanishwinelover post to see the background, signatories and other details.

Spain boasts the richest biodiversity and the most varied landscapes in Europe but it also faces the greatest challenges in terms of environmental awareness and conservation. The world of wine is no exception.

The Spanish wine appellation system has proved effective in protecting geographical names and origin, but it has been oblivious to soil differentiation and levels of quality. Efforts have been aimed at turning our vineyards into the world’s biggest, not the best.

However, we have the history, the places and also the passion needed to make the most out of our exceptional crus and vineyards.

Deep changes are needed to boost our wine heritage and bring a sense of self-worth onto Spanish wine. It must be a global change for everyone involved, from producers to the authorities.

All the great wines in the world come from exceptional vineyards. That’s why the most revered wine regions have passed laws to defend and protect those unique sites.

We firmly believe that the best way to identify wines based on their origin, quality, identity and authenticity is by means of a pyramid-like structure. Wines made anywhere in the region would be at the base; village wines would be a step above while single-vineyard wines would be at the very top.

All producers will benefit from such a structure. Only by raising the bar and demanding ourselves more, will we be able to improve quality and explain Spain’s wine reality more accurately. It will also help to sell all kinds of wine better.

Therefore, we call upon the Regulatory Boards to be sensitive to the new wine reality that is emerging all over Spain and to approach a classification of the land in terms of quality. We are certain that establishing such distinctions is the first step towards excellence. Beyond emerging as an unstoppable trend, terroir wines are the best way to improve the quality of Spanish wines and achieve international recognition.

I really have never understood the resistance to going down this kind of path – surely the “volume” producers also benefit from the increased profile of their regions? In any event, bravo to all involved, I wish them good luck and I truly hope something can be done.

Night of the Pitijopos – Part I

Big night last night with lots of sherry to report on, but first the main event: the “Pitijopos, Volume I: from North to South” by Cota 45.

It really is a fascinating project – six “mostos” – the base palomino wines used as the key material in sherry and manzanilla (and, increasingly, a lot of other stuff) from six different pagos on four different types of albariza soil. All from the sherry area (the “marco” in the lingo) in a band 50km North to South and 25 km West to East. It gives us a great opportunity to explore two really interesting questions: how these different soils and areas translate into wines; and, almost as important, the potential of these mostos to become the top table wines that the boys down in Cadiz seem to think.

We were guests at one of Madrid’s shrines to good wine and good living – the Chula de Chamberi – who looked after us fantastically, and we did it properly, tasting our Pitijopos at about 10-12 degrees with empty stomachs (before dining with a cracking lineup of other wines, about which more later).

Frankly my notes are not everything they could be and my recollection is blurred due to a possibly over enthusiastic consumption but, for what they are worth, here are my thoughts on the wines themselves.

  • #1 – Trebujena – northwest face of the pago del Duque on Tosca Cerrada – piercing citric, mineral nose which quitened down, slightly bitter citrus and mineral flavours on the palate, hints of reduction;
  • #2 – Sanlúcar – north face of the pago de la Callejuela (pago de rio) again on Tosca Cerrada – big farmyard, ferrous metal nose that mellowed to undergrowth and nuts, solid and serious on the palate holding its shape better;
  • #3 – Rota – south face of the pago Barragan on Albariza Parda – incredibly floral, fruity and sweet nose and fresh, floral taste first up, but less intense and seemed to die away rather than opening up;
  • #4 – Jerez 1 – northeast face of the pago de Añina on Barajuela – earthy, metallic nose maybe even damp undergrowth, more elegant on the palate with a nice citrus fresh finish
  • #5 – Jerez 2 – north face of the pago de Macharnudo again on Barajuela – even more serious wine, earthy, citrus and mineral nose and seems more intense, saline on the palate
  • #6 – Chiclana – west face of the pago de Matalian on Albariza Tajon – really lively, fruity nose, with lychee, mandarin and minerals, and elegant on the palate with more minerals and honey notes

Overall, I reckon my favourites were 6, 2, and 5 in that order, but not with much conviction: 3 started beautifully but faded away, 4 was probably the most elegant of them all and 1 had some really interesting, more complex flavours and aromas.

More generally, and most importantly, the differences between these wines – even between wines from the same neighbourhoods/soil types – were notable and very interesting: some were floral, fruity and aromatic, some were serious and metallic, some piercing.  If the object of the exercise was to demonstrate the potential of terroir then noone last night was left in any doubt.

Also, while clearly not the finished article, the potential of the wines was equally clear. There was a really nice freshness and life to them and some really attractive noses, flavours and features. It is easy to see why their makers are excited about them.

And the final verdict?  Absolutely fantastic. A great idea well executed and an argument conclusively won in the most elegant way possible. Long life to Cota 45 and  can’t wait for Volume II.

 

Pitijopos Volume 1 – 2014 


Yet another cracking project from Ramiro Ibañez (he of Encrucijado, the Manzanilla de Añada and other projects) and something I am really looking forward to getting to grips with.

Called “Pitijopos” it consists of a case of six examples of “mosto de pago”. Mosto is the name given to the unfortified palomino wines that are used to make sherry (confusingly, it is also a term given to unfermented grape juice elsewhere in Spain and the english word, “must”, clearly refers to a sort of intermediate stage). “Pago” on the other hand is a term given to specific vineyards/terroirs. Normally you would hear the term “vino de pago” as meaning single vineyard wine, or a wine might be called “Pago …”.

So here we have examples of mostos, from a single vintage, 2014, and a single grape, palomino, but from specific pagos from around the jerez region. Specifically, from six different locations ranging from Northwest to Southeast: Trebujena, Sanlúcar, Rota, Jerez (2) and Chiclana. Tasting them all together (which I intend to do as soon as I have a chance to really appreciate six bottles of white wine at once) is probably a unique opportunity to compare the differences in character that result from those differences in terroir.

Even if you can’t get six of them (I am told there were only around 100 cases of this available) I would recommend any sherry enthusiast to try mosto if you can.  The very best tasting I ever experienced (at Emilio Hidalgo) started with tasting some mosto and then following it up through the chain as sobretabla, fino of different ages, amontillado, oloroso – it was frankly the most formative lesson of my brief education in these things, and the mosto was a key part. It has a very distinctive aroma, structure and flavour which is worth getting a handle on since it will really help you appreciate the same dimensions of the fruit in the fine wines that have been undertheflor (once you have smelt mosto you will recognize it in a lot of finos and manzanillas, in particular).

As always, these have been on the road and I need to give them time to settle in, but I will report back when they are ready.

 

Encrucijado MMXII – Part II (now part I)


After all the bombo I have been giving the vintages, the terroir and the doing of new things today I had to have another glass of this (I had attached a link here but the first blog post has been mistakenly deleted in what can only be a new personal best in blogging incompetence). This is after all a vintage (MMXII) it is terroir specific (although don’t ask me which) and it has some interesting cepage.

Specifically, it has six different grape varieties: 50% Palomino Fino and 10% each of Beba, Mantúo Pilas (aka “Uva Rey”), Perruno, Cañocazo and Mantúo Castellano, all of them believed to have been used traditionally in the production of the original “cortado wines”. They were hand harvested from plots up and down el marco, fermented in bota and then aged in the same bota for 20 months: 10 months under flor and then 10 months traditional ageing.

As I remarked in my now long lost post, I first read about this on Spanishwinelover and in an article by Paz Ivison on Elmundovino.com and was intrigued enough to pick up a bottle in Reserva y Cata. It is marked with a “cortado” and the name certainly conjures up the idea of palo cortados (as does the combination of biological and oxidative ageing), but this is unlike any palo cortado you would have tried before: it isn’t even old enough to be a fino and the different varietals really bring different characteristics.

In colour it is slightly more garish gold than I remember but it has the same delicate structure and butterscotch nose and flavours. Very fatty in the mouth and the buttery caramel flavours are very gentle but I think the first time around I underestimated the power and persistence of it. It is not a big profile but it is an intense flavour and lasts a long time.

I really like it more and more. Maybe the extra days open have given a touch more oxygen in a good way.

Alvaro Giron Sierra: A probable history of the dry wines of Jerez – from chance to necessity

This blog post by Alvaro Giron Sierra on the Vila Viniteca blog is probably the most interesting that I have ever read in relation to the wines of Jerez. It is a real piece of scholarship, littered with contemporary evidence and even historic photographs, is mercifully free from the blarney and anecdote that plagues most writing about Jerez, offers some superb insights about the history of the wines and wine making in the region and finishes with a shrewd suggestion of what must be the way forward for the future.

The central theme is that it is a great error to project onto the past: the wines made in Jerez were not, in the past, the wines we know today. He makes a great counterpoint with the most fashionable debate in modern times – about whether palo cortados are “made” or “born” (“se hace o se nace”). As the author points out, in fact for most of history almost all wines in Jerez were “born”: it is only in recent times that wine makers in Jerez have had the knowledge and technology needed to “predictively” make the wines they intended, rather than reacting to and managing the evolution of wines that refused to be governed. (This is in fact something I find fascinating in relation to a lot of wine regions that have been famous for centuries: the evolution or even the wholesale revolution in the wines made there.)

There are some superb insights in the piece: the historic existence of numerous grape varieties with different strengths and characters; the huge variations in the wines fermented in “botas” and the massive resulting wine-making possibilities; the importance of the solera as a means of averaging not just vertically but horizontally; the ignorance until relatively recently of the crucial importance of the flor; and maybe most importantly for the future, the differences in quality attributable to the soil and demonstrated by single vineyard wines. There are many more, but I don’t intend to repeat them all – you should really read the piece itself.

It is a fascinating read and the conclusions the author makes sound absolutely right to me. A single grape, the solera process, a rudimentary classification and scant attention to terroir may have been an excellent way of making a very good wine sold by the barrel in the 19th Century, but Jerez today needs to seek to make possible the unique, outstanding wines being produced in other wine making regions. It is revolutionary – superficially a call to care less for tradition and more for the pursuit of excellence – but on closer examination it is a call to respect the traditions that made singular wines possible in the pre-industrial age, to cast off the limitations assumed and look again at all the possibilities.

The revolution may have already begun: the author himself is at the forefront of a project – Equipo Navazos – that is arguably leading the charge, having evolved from pickers of forgotten, prize botas to makers of interesting, singular wines, but they are far from being alone. Excellent, singular wines are being made and all we can do is seek them out, ask for them, buy them, try them and, if we like them, praise them. I fully intend to do my part at least.

Fino Inocente

After the two slightly older than average finos of recent days I had a hankering to try a classic fino –  and this is a classic fino.

In colour it is a pale straw – with maybe just the tiniest tinge of green. On the nose there is a bit of hay bale but it is definitely more wet grass than dried grass, some muted green apples in the background and a bit more alcohol than I expected. It feels oily in the mouth and it has noticeable salinity – a real mouthful of pure seawater – then the yeasty, vegetable power catches up in a hurry – maybe just a hint of lemon and a real tingle on the tongue.

Overall a classic aperitif refresher – I can imagine drinking barrels of this if I am not careful.